I learned my love of maps from my father -- a World War II pilot and also a painter. I tagged along as a kid as he painted watercolor landscapes in the central Ohio countryside and learned that maps are more than lines on flat pieces of paper that get you there and back.
I was watching the printed road map, but as an artist, Dad “mapped” what he saw and transferred those visuals to watercolor paper. He held up a pencil to the horizon line, measured the distance to the focal point, plotted the perspectives, and took a mental snapshot. He could manipulate the results -- if the blue was wrong, he’d wash it away and make it truer. The green-golds would blend and merge. If the colors or shadows changed and the result was visually inauthentic, he’d make them disappear – and start over.
Dad was a literal painter. He saw the surface of things and painted with taut, hushed, discreet emotion. Yet his ability to see things just as they are, unvarnished, real, and with a deeper truth behind them, taught me how to really see.
In this way, the maps and the watercolors started working together for me, and I became a visual thinker. The surface of things always suggests a deeper story. What’s below the surface in his paintings may have been left to the viewer’s imagination, but there is no refuge from it. You can try to change what others see all you want – wash it away like a watercolor technique – but you cannot change what lies beneath. I became a journalist. I penetrated the story behind the surface. I expressed it differently from my dad, but with the same goal – clarity of vision and exploration of truth.